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by Gerald Sibleyras (trans by Tom Stoppard) 21 - 30 April 2011
This gentle comedy will appeal to everyone. It is Stoppard’s translation of a French play by Gerald Sibleyras and, as you might expect from a master of theatrical wit, he brings a rich humour to a simple concept. The play is set in 1959 in the grounds of an old soldiers’ home where three of the inmates – First World War veterans – live. What brings Phillipe, Gustave and Henri together is their common purpose – to escape. With military precision, the three would-be escapees talk, plan and plot whenever they meet, always searching for the perfect scheme to make their getaway. Of course, they have never succeeded but they retain high hopes. When we meet them, they are devising yet another cunning plan to get them over the wall and away. But although escape is their prime concern, they talk of many things – of the war, the other inmates, the Sisters who care for them, the sexual attractions of the young women who work at the home, and the dog. They want to take the dog with them but it’s made of stone and they can’t lift it. It is typical of the lunacy that permeates this lovely comic vignette. You’ll sympathise with the three old fools and you will laugh with them, not at them.
Croydon Advertiser Review13 May 2011 Theo Spring It was the view of the wind in the far off Poplar trees that enticed the three veterans of the First World War to plan to escape from their home in France with its comfortable terrace. The three very different characters brought this charming and amiable comedy to life. Henri has a gammy leg, Philippe blacks out with regularity and the newcomer of only six months, Gustave, majors in being grumpy, cantankerous and rather against the world. Peter Whittle, as Henri, delivered a still gallant Frenchman, seemingly happy with his lot and the nuns who care for him. Philippe, created by Reg Anderson, is still mentally chasing after women and giving realistic and amusing faints on stage. To Lawrence Marsh fell the character constantly irritable yet hiding strong agoraphobia – thus making it very brave that it was Philippe’s idea to trek out to the Poplars. Under the guidance of director Suzi Whittle, this experienced trio used all their skills to create a first class comedy in which particular mention should be made of the moment when, standing roped together, Philippe moves to sit down, throwing the remaining two neatly onto seats. Considerable practice made perfect. Music created the French feel and Jenny Kingman’s perspective backdrop of a tree-lined field enhanced the set.
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